An artist who weaves: creating textiles with character and depth, honesty and integrity
An interest in materials and the natural world initially led me to follow a scientific route, studying chemistry and then pursuing a career in scientific publishing. However, in my late 20s I began to seek a greater sense of fulfilment in my work. I’d always been intrigued by textiles and how they were constructed, so I returned to education, studying textile design at the Royal Academy of Arts in The Hague, graduating in 2004.
At the academy I was immediately drawn to the looms in the textile department and weaving was addictive from the start, from my first tentative steps on a table loom, quietly passing the weft through the warp, discovering the patterns and structures that emerged, to working on the huge noisy jacquard looms at the Textile Museum in Tilburg, rapidly producing larger intricate fabrics. The ability to create a piece of fabric from an unruly mass of fibres is a magical, constantly fascinating process for me, and each new warp presents a new set of dilemmas to solve, so my work is ever-changing and challenging.
While at the Academy I was able to develop as an artist, exploring in the medium of textile. Winning the European Wool Awards in 2003 with felted wool textile designs first introduced me to wool; I fell in love with it as a material. Its ability to transform when washed and felted really intrigues me, and combining it with other materials gives endless possibilities. Combining wool with yarns such as linen, silk and cotton, I make luxury handwoven scarves and interior fabrics; each item is completely unique.
I’m also convinced that the woven textile is an art form. Experimenting with different materials and colours on the loom, I create woven wall art that explores the interactions of hue, pattern and texture. I’ve used vintage maps, newspapers and cassette tapes to explore the concept of recalled memories, and I’m currently using spun paper in three-dimensional wall hangings. Every piece I weave is a journey, capturing a moment in time in the cloth that grows on my loom.
Inspiration for my work comes from memories, the natural world and the geography of the land, especially that of my native England and the stunning coastline of the Hebridean Islands off the West Coast of Scotland, a place close to my heart. In recent years, I’ve travelled to Iceland and Japan, both of which have had a profound influence on my work.
Exhibitions
September 2025: Lens & Canvas 2nd edition, curated group exhibition, The Hague, NL
August 2025: IJ Kunst Collectief 12th edition, curated group exhibition, Amsterdam, NL
February-March 2025: CONSTRUCTED curated group exhibition, Gallery 57, Arundel, West Sussex, UK
November 2024: group exhibition THERESI_ART 12, ART[s] Gallery Simone Jansen, Noordwijk, NL
October 2024: ‘Stone life’ with ceramicist Monica Nielsen, The Hague, NL
April-May 2024: ‘Threads of tomorrow’ virtual exhibition at Museu Textil, curated by Rodrigo Franzão.
March 2024: group exhibition curated by FJ Hakimian, New York, USA
August 2023: ‘Re-Imagined: New Work From Traditional Makers, Designers And Artists From Across The World’ group exhibition, East Hampton, NY, USA
May 2023: ‘Houdbaar vernieuwend’ [sustainably innovative] group exhibition at Kunstuitleen Voorburg, Den Haag, NL
April-July 2022: ‘Zeven x weven’ [seven x weaving] group exhibition at De Katoendrukkerij, Amersfoort, NL
May 2021: ‘Artist of the month’ at Kunstuitleen Voorburg, Den Haag, NL
2021: participant, Crafting Business Seminar with Crafting Europe
2020: Crafting Business NL with Crafts Council NL and Crafting Europe
2015: Cambrian Mountains Wool Design & Make Challenge exhibition
2009: ‘Ten’ exhibition Bilston Craft Gallery, Wolverhampton, UK
2006: Making Words exhibition Bilston Craft Gallery, Wolverhampton, UK
Education
2000-2004: fashion and textiles at the Royal Academy of Art in The Hague, The Netherlands, graduating in 2004.
1999: Open College of the Arts (UK) textiles foundation
1998-1999: portfolio foundation course, The City Lit, London, UK
Memberships, awards and grants
Member of the Crafts NL Craftsmap
2007: start-up scholarship from the Fonds BKVB, Amsterdam, NL
European Wool Awards 2003 and the Bradford Textile Society 2005
Publications
Embroidery Magazine ‘Weaving magic’, p. 32-33 (March/April issue 2025)
‘Threads of tomorrow: Textile art and mixed media 2013-2024’ by Rodrigo Franzão (Museu Têxtil, New Orleans, 2024)
Weven magazine (Weefnetwerk official publication; October 2023)
Textiel Plus magazine (issue number 211, Spring 2010)
‘Patterns – New Surface Design’ by Drusilla Cole (Laurence King Publishing, London, UK)
Process
Texture and colour define my work: I want to give the woven textile depth and character. This is achieved through the weave structure itself, and by combining yarns with different properties, thick and thin, shiny and matt, flexible and stiff, felting and nonfelting. Wool is used, along with silk, linen and cotton, and I often use ‘mill-end’ cones sourced as and when I find them, meaning that items woven with them are not reproducible. For art pieces, vintage papers and maps, cassette tapes and other recycled materials are also used.
The initial spark of inspiration can come from a place, a piece of art, a snippet of poetry, a moment in time; sometimes the material itself. Sketches, collage and work on paper are an integral part of my design process, but the actual weaving is a fluid, intuitive act, and not rigidly planned. Once I have explored my subject on paper, I work on instinct to assemble a warp.
By its very nature, the act of weaving requires some designing before beginning to make the warp on the warping frame, let alone threading the heddles on the loom; however, I like to embrace serendipity in my work. Randomness of colours and textured yarns allows patterns and colour effects to emerge almost accidentally. Once on the loom, the warp and I can embark on our journey together, discovering what we have to learn from each other.
When a piece has been woven and cut free from the loom, scarves are washed several times by hand; I gently felt the wool to encourage texture and depth. Alchemy happens, colours soften, and patterns and textural structures emerge in the new work. Woven art pieces are either framed or mounted as wall-hangings.
You can find more of my mixed media art at www.veronicapockart.com.
Veronica Pock | Handwoven textiles 